For the last 12 years, LaToya Ruby Frazier has photographed her family as it deals with reality on the American post-industrial front lines in Braddock, Pennsylvania. The images, she says, show a family struggling to survive.
摄影师拉托亚·鲁比·弗雷泽（LaToya Ruby Frazier）的新书《家庭的概念》是一部关于宾夕法尼亚州历史钢铁小镇布拉多克（Braddock）的震撼视觉编年史。这也是一幅艺术家自家人的亲密肖像——她的家人皆是布拉多克本地人，亲历了小镇的繁荣、衰落，以及近年来被重新包装为”锈带复兴”标杆、吸引所谓创意阶层趋之若鹜的转变。弗雷泽是TED研究员，她向卡伦·恩（Karen Eng）讲述了这一宏大项目的起源。
请介绍一下《家庭的概念》中的人物。
书中呈现了我的祖母、母亲和我，透过我们三个人的生命轨迹，审视各自在布拉多克不同社会与经济时期中的成长经历。我们每个人都代表着一个不同的时代。祖母成长于20世纪30年代，那时的布拉多克欣欣向荣，一切都充满希望；母亲成长于60年代，那是一个白人出逃、种族隔离盛行的年代；而我成长于80年代，那时工厂已相继关闭，整个小镇就这样在经济上被遗弃了。
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